It also requires rethinking some familiar tropes of vampire lore, since Juliette’s folks are fabulously wealthy, no strangers to daylight and generally seen as pillars of the community, never mind their nocturnal pastimes. Henderson (whose soapy credits include “Empire” and “Gossip Girl”), feels particularly tortured. E.” Schwab’s short story by the writer working with producer Felicia D.
Love at first bite movie streaming series#
Obviously, the whole challenged-teen-romance motif is pretty overdone even without the Shakespearean underpinnings, with “Twilight” and “Buffy the Vampire Slayer” (the series version, that is) among popular properties that have strained adolescent angst through a fanged filter.Įven so, the dense mythology of “First Kill,” adapted from Victoria “V. New to town, Calliope immediately catches Juliette’s eye, and their potentially fatal attraction unleashes a host of complications, especially once their respective moms (Aubin Wise and Elizabeth Mitchell) realize that the object of their daughter’s affection comes from the wrong side of the supernatural tracks. The one-line description – “Romeo and Juliet,” only adapted here as the crucifix-crossed romance between a vampire and a vampire slayer – seems ripe for mockery, and the execution doesn’t do much to blunt it.Īdding an LGBTQ hook to the premise, teenage vampire Juliette (Sarah Catherine Hook) has yet to follow in the footsteps of her powerful family by, you know, drinking anyone dry, and Calliope (Imani Lewis) is in the same boat vis-à-vis her family of accomplished monster slayers. “First Kill” isn’t good, but it’s bad in semi-interesting ways – the kind of young-adult genre show that Netflix churned out by the truckload before beginning to pull back.
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